All You Need Is Kill review by Big Gold Belt Media
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et in the year 20XX, All You Need Is Kill drops audiences into a haunting, emotionally charged time-loop story that blends sci-fi spectacle with raw human trauma. After the sudden appearance of a massive alien flower known as “Darol,” Japan is devastated by monstrous creatures unleashed in a catastrophic event.
Rita, a quiet yet resilient young woman volunteering to help rebuild the country, is killed during the outbreak — only to wake up again. And again. Trapped in an endless cycle of death and rebirth, Rita is forced to relive the same horrors until she encounters Keiji, another survivor caught in the same loop.
This review explores how All You Need Is Kill uses repetition not just as a narrative device, but as an emotional weapon — examining grief, isolation, connection, and the search for meaning in a world that keeps resetting. With striking animation, powerful character work, and escalating stakes, the film asks whether breaking the loop is enough… or if survival requires something more.
All You Need Is Kill opens in theaters across North America on January 16.
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